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Albums
 
Photo © Jimmy Katz
Live at Iridium, New York
Jean-Michel Pilc
"An intense recording."
All Music Guide
"Exhilarating."
The Guardian, UK - CD of the week
 
Photo © Thomas Dorn
Follow Me
Jean-Michel Pilc
"Jean-Michel Pilc is a trip. No jazz pianist today offers anything like his mélange of monster chops, wildly impulsive imagination, addiction to bombastic melodrama and shameless love of showing off."
Thomas Conrad, JazzTimes
"While never dry or abstract, Pilc is a model for playing a little to say a lot."
Mark Keresman, Jazziz
""Follow Me" stands a major summation of Pilc's keyboard art, which has no counterparts. Pilc ranks among today's titans of the instrument... there's more to his art than the speed, precision and power of his 10 phenomenal fingers."
Howard Reich, Chicago Tribune
(2004 10 best jazz CDs)
"New facets within it reveal themselves with each hearing. Highly recommended."
Ken Dryden, All Music Guide
 Photo © Larry Fink
Cardinal Points
Jean-Michel Pilc
"should be studied in every music school in the galaxy..."
Harvey Siders,
Jazz Times +
Top 50 Picks for Critics Picks 2003
"...ridiculously well-balanced, and trading in the kind of grace that still has the power to shake a room. Keith Jarrett found something similar... Pilc's nudging it a bit further down the line"
Down Beat, four Star Hot Box review
"Pilc's playing reveals a roaring fire that all but consumes the cosmopolitan sheen stereotypical of European music."
Neil Tesser, Chicago Reader
 
Welcome
Home
Jean-Michel Pilc Trio
"Pilc,
a pianist of razzle-dazzle technique, has been playing around town
for years, but his music has never been brought into focus as impressively
as on his new CD, Welcome Home (Dreyfus), recorded in Paris with
drummer Ari Hoenig and the remarkable bassist, François Moutin,
who played in New York last year with Martial Solal. Solal's own
extravagantly witty and unexpected improvisational gambits may be
seen as a precedent for Pilc's, which is saying a lot."
Gary
Giddins , Village Voice
“On
his first disc for the Dreyfus label, Jean-Michel Pilc keeps his
regular trio intact and continues to work maniacal wonders, mostly
with standards. Beginning with a fast and playful "So What,"
Pilc, bassist Francois Moutin, and drummer Ari Hoenig toss the familiar
figure back and forth, stretching it wildly while preserving the
integrity of the form. Duke Ellington and John Coltrane each get
a double nod, the former with sparse yet off-kilter readings of
"I Got It Bad" and "Solitude," the latter with
short, back-to-back deconstructions of "Cousin Mary" and
"Giant Steps." And Monk, one of Pilc's main influences,
is represented with "Rhythm-a-Ning," featuring spirited
trading between Pilc and Moutin and a meltdown of an ending. The
trio locates wonderful new secrets in the harmonic folds of "Stella
by Starlight," "Tenderly," and even Simon Garfunkel's
"Scarborough Fair." Pilc’s four originals resound
with conceptual daring, particularly the frenetic "Colchiques
Dans Les Prés" and the churning, funky "Serial
Mother Blues." A strong statement from a trio that continues
to defy classification.”
David
R. Adler, All Music Guide
 
Together
Jean-Michel Pilc Trio Live at Sweet Basil, Volume
2
"Been
listening to tapes of the pianist's recent live dates, and they're
killing
He's one of our top young piano voices
Listen
to what the pianist does to the opening of Bessie's Blues on volume
two of Live at Sweet Basil. Refraction, substraction, big action.
Pilc's bands are becoming synonymous with interplay. And the leader's
a quick-change artist - that cluster in the air is now a single
note, decaying quite regally donchaknow."
Jim
Macnie, Village Voice
 
Together
Jean-Michel Pilc Trio Live at Sweet Basil, Volume 1
"Those
who experience this phenomenal trio had better be prepared for an
exhaustive exercise in deep listening, for Pilc is a pillar of intensity.
He utilizes broad ranging adaptations and re-invention of standards,
with a wellspring of ideas that tumble out like a rushing waterfall
or roaring tornado. This 73 minutes of music is at once stunning,
dumbfoundling, compelling and brilliant beyond description."
Michael
Nastos, All Music Guide
"A fantastic
new CD. It doesn't take a rocket scientist to apprehend the genius
of Pilc's music. Pilc & Co.'s courageous approach to playing
jazz in the moment, plus the enormous talent this focus on improvisational
interpretation brings to light, make his last CD a deeply satisfying
recording that marks a triumphant turning point in his career. To
quote Pilc's own words, this trio is 'the dream of a lifetime come
true.'"
Blaine
Fallis, about.com
"...make
no mistake about it, to his credit, Mr. Pilc is very unique... I
would say that this trio starts at Mars, and then goes from there.
Don't expect anything resembling conventional interpretations. This
is fascinating and rewarding music...The level of empathy and sensitivity
in this group is also stunning. They can stop or shift gears on
a dime... For anyone interested in creative and visceral music,
this album is an important find. I eagerly await vol. 2"
Rick
Helzer, Jazz Improv
"Pilc stands
ready to break out of the box and allow the immensity of his talent
to be recognized... Pilc's talent is such that it leaves the listeners
agog and the critics wordless... From the critics' quotes I've read,
they're struggling to describe the physicality of his approach and
the unpredictability of his performances... "Live At Sweet
Basil, Vol. 1" is in a class unto itself, stunning the listener
to attention. Like other writers, I'm glad to have heard Jean-Michel
Pilc at a relatively early stage in his career before the inevitable
buzz surrounds him."
Don
Williamson, All About Jazz
SELECTIVE
DISCOGRAPHY
As a leader:
Jean-Michel Pilc: Follow Me (2004, Dreyfus Jazz)
Jean-Michel
Pilc: Cardinal Points
(2003, Dreyfus Jazz)
Jean-Michel
Pilc Trio: Welcome Home (2002, Dreyfus Jazz)
Jean-Michel
Pilc Trio: Together
Live at Sweet Basil, Volume 1 & 2
(2000, A-Records)
Jean-Michel
Pilc: Big One
for 13 Piece Band
(1993, EMP/Harmonia
Mundi)
Jean-Michel
Pilc Trio: Funambule
(1989, Blue Line)
As
a sideman or co-leader:
Rosario Giuliani: More than ever
(2004, Dreyfus Jazz)
Elisabeth Kontomanou: Midnight Sun
(2004, Nocturne Records)
Rick Margitza: Rue des Voleurs
(2004, Nocturne Records)
Ari Hoenig:
The Painter (2004, Smalls Records)
Jean-Michel Pilc / Hein Van De Geyn Duo:
The Long Journey
(2001, A-Records)
Sam Newsome
and Global Unity (2001, Palmetto)
Elisabeth
Kontomanou: Hands and Incantation (Duo, 2000, Steeplechase)
Richard Bona: Scenes from My Life (1999, Sony / Columbia)
Elisabeth
Kontomanou: Embrace (1999, Steeplechase)
J.D. Walter: Sirens in the C-House (1997, Dreambox)
Jean Toussaint: Life I Want (1995, World Circuit)
Aldo Romano: Prosodie (1995, Polygram)
Andre Ceccarelli: From The Heart
(1995, Polygram)
Elisabeth
Kontomanou
(1993, EMP/Harmonia
Mundi)
Martial
Solal/Eric Le Lann:
Edith Piaf and Charles Trenet
(with strings, 1989, Musidisc)
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